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A Holiday gift list for myself and for folks in the Animation Industry


by Michelle Klein-Häss

Well Ho, Ho, Ho, and I don't mean Sunset Blvd. either. Unlike most people in the media and in commerce, I have resisted the temptation to rush the Holiday season. But it's after Turkey Day now, and I can indulge as I see fit.

As an animation fan, I have my own wish list for fellow Animation Nerd Santa Claus to fill, as well as a list of gifts I'd like him to leave under the trees of other people in the industry. Unlike Thomas Reed's Santa, however, these are not conditional gifts. Everyone on the list has earned their gifts.

Gifts for people in the Animation Industry:

For Fox/News Corp. and Time/Warner, two media giants who have been singularly ruthless in going after animation fan websites:
Much attrition from the ranks of their fandom. The high-handed, bullying tactics of these companies in tearing down fan sites are repugnant and should be responded to by boycotts of their official websites, at the least.
For Spumco International Studios:
More sponsors for their online cartoons, and a nice juicy contract from Comedy Central to take "The Goddamn George Liquor Show" from the World Wide Web to the small screen as the logical companion to "South Park".
For Kid's WB Network:
A thump on the head for killing "Calamity Jane" before it could find its audience. At last, a strong female action hero in a show geared towards kids...something I craved as a girl.
For Peter Chung:
A nice budget and a free hand to make the "Æon Flux" movie as strong and sexy and violent and powerful as no doubt he wants to. MTV Pictures should not be afraid of the finished product being rated a hard R or even NC-17..."Æon Flux" the series was not kiddy fare or even fare for early teenagers, and any movie should push the envelope further.
For HBO Animation:
Enough courage to not fold, but to press forward to find better material than either "Spawn" or "Spicy City" turned out to be. And to facilitate this search, season tickets for all the major animation festivals and anthology road shows, from the World Animation Celebration to Spike and Mike's Sick And Twisted.
For Abby Terkuhle:
Another animated series as successful and as culturally significant as "Beavis and Butt-Head." Mr. Terkuhle's record as Executive Producer of MTV Animation has been one marked by audacious choices and much more creator-friendly policies than its sister operation Nicktoons.
For Hayao Miyazaki and Studio Ghibli:
US box office for "Princess Mononnuke" that tops both "Hercules" and "Pocahontas." If Disney does the right thing and merchandises the hell out of it, Studio Ghibli could be as big here as it is in Japan.
For The Walt Disney Company:
A railroad car full of coal for their predatory tactics in attempting to derail "Anastasia" at the switch. Michael Eisner makes Bill Gates seem like he's playing according to Hoyle. The embarrassing box office of their reissue of "The Little Mermaid" is proof that not even kids will gobble up everything Disney puts onto their plates.
For Warner Bros. Pictures and Warner Home Video:
A heap of used Gritty Kitty for their setting "Cats Don't Dance" adrift without even the most minimal of publicity. The lack of promotion of the theatrical release was one thing, but burying the video release too was an even crueler move. Sure, you inherited "CDD" from Turner Pictures. So what? You had a possible Disney-killer in this fun, beautifully animated and unabashedly nostalgic film. It could have been treated as a wonderful gift, but instead, "CDD" was treated like a Red-Headed Stepchild. Shame on you.

My own wish list:

Lastly, I want to wish everyone happy holidays, and a great 1998! Thanks for a great year and for all your support of the site.

If you have a rebuttal to this editorial, send it to mhass703@2cowherd.net. We'll be happy to post it here.


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Page last updated 1/15/1998


Michelle Klein-Häss
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